Idris Al-Wazani
(ih-Drees Al-wuh-Zah-nee)


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I’m an aspiring audio/design technologist majoring in Electrical Engineering at NYU’s Tandon School of Engineering. I design hardware, frontend software, real-time technology, lighting, visuals, and sound for the world of live performance, art, and public spaces in order to make people’s time anywhere meaningful. Feel free to view my work on this site.






Currently obsessed with:

 Embedded Systems, HPF/LPF Circuit Design, TouchDesigner, Ableton Live, Drum Machine Analog Circuits, Complextro, GrandMA3, Electric Energy Conversion,






As a third-year Electrical Engineering major with a minor in Integrated Design & Media (focusing on audio technology), I have had a huge interest in audio design and engineering during my lifetime, and am actively combining my major and minor to accommodate for that vision. Alongside my deep passion for music and music culture, I would love to work as an audio engineer for live performances, broadcasts, or anything that involves an audience in the future! I was born in Austin, Texas from a Belgian mother and Palestinian father. Since the age of five, I have moved to Singapore, Atlanta, Shanghai, Seoul, and now am a passionate resident of New York City.

When I was young, I often engaged in film, whether it be through attending summer film camps, or small daily iMovies on my iPad. Despite the frequent storytelling that went into these amateur films, I was most deeply in love with the science behind the audio and video that went into making films. In my mind, I found it necessary to understand how exactly these microphones, cameras, and A/V systems worked on the micro level to finally be able to apply myself the way I wanted to. It wasn’t until I joined school theater in 2018 that I fully realized my passion for A/V. After acting for a few semesters, I eventually understood that I was set in my ways of working for the A/V crew, as well as stage managing for a few productions. My passion for STEM in school eventually brought me to study engineering in college here at NYU Tandon, and I am now a major in electrical engineering. I have an extremely profound and focused interest in the electronics behind concepts we know of nowadays, and I find it even more fascinating to apply myself to audio.

For the time being, I’m currently working on many smaller-scale projects involving interactive audio technology. Many of these projects and skills have also built me up to recently become comfortable behind the audio engineering and mastering of certain music and film projects in college. My principal motivating goal, and one of my philosophical interests, is to be able to fulfill a role in which society can be geared towards urbanizing in an equitable clean, future-conscious, and entertaining way. I hope my work – for the rest of my life – continues to fulfill this goal.

I spend most of my time on the Tandon campus socializing and working with my friends and coworkers at the NYU MakerSpace. My personal passions are a little further from the technical engineering side, since I spend most of my free time skateboarding, DJing/hosting events, and producing electronic music.



Lighting Tech (@ The Garage at NYU)


October 2025 - Present:
Lighting Tech Job:



Some stuff I ‘exemplify’:

GrandMA3 Lighting Consoles
Lighting Design (Dimmers, Colors, Gobos, Prisms)
QLC+/EOS Softwares
Signal Flow (DMX Universes)
Designing Rep Plots, Figure Sheets, Floor Plans

I am a lighting tech at NYU’s main student-led live performance venue.


Throughout college, I’ve been more interested and proficient in the world of audio. It felt adventurous to instead go head-first into the world of visuals and lighting. The Garage at NYU is controlled by a sophisticated GrandMA3 Lighting system and console, and over time I have become extremely familiar with both designing lights for 80+ live shows as well as maintaining the lighting and audio tech behind the space.

During shows, I busk for more energetic and unplanned shows, handle rehearsal/sound check time beforehand, or design and execute intricate cues and presets for more complex shows. During downtime, I either make sure documentation for all different lighting techniques and information for the space is in check, or I set up a cleaner and better executor page for busking live events later on.

I’ve learned a lot about lighting during my time in this job. It’s been a great deal of consciousness for me to fully understand what goes behind lighting and visuals tech, which has made me more aware and ready when curating the tech behind events in other venues or events as well. I’m happy to be more rounded-out in the world of live performance through doing lighting at The Garage!